How often do people yell in real life? In the past six months, I can only think of about two conversations that have resulted in raised voices that I personally participated in. Keith Josef Adkins, however, would have you believe that the natural colloquy of human beings is loud and emotional. At least, that’s how he presents his characters in his 2014 slavery drama Safe House, a loud and exasperatingly overwrought melodrama that hides its interesting sociopolitical themes in a thick coating of syrupy sentiment.
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