It’s doubtful that many people still remember Michael Herz and Lloyd Kaufman’s 1984 film The Toxic Avenger nowadays. Perhaps the epitome of B-Movie campy body horror, the film is one of the single most nauseating experiences this reviewer has ever had the pleasure of experiencing. The story of a dweeb-y mop boy at a New Jersey health club who becomes a hyper-violent vigilante after a group of sociopathic sex-crazed exercise nuts chase him into a vat of nonspecific toxic waste, the film appears to be expressly made for the purpose of being watched while high, while those who are sober are left to ponder the film’s many gross-out moments without the refuge of a marijuana haze. In short, it is a truly terrible movie, not only in its violence, but in its writing, direction, and especially acting.
Continue reading “Review: “The Toxic Avenger” at The Stage, San Jose”
San Francisco Bay Area theatre companies, ever ambitious, have an unusual penchant for developing new work to go hand-in-hand with their productions of newer plays and classic revivals. This lends a level of excitement to companies in the area, making them feel that they are pushing the boundary instead of just holding down the fort. Occasionally, this can produce great work, like Barry Eitel’s unmistakably San Franciscan The Ice Cream Sandwich Incident. But the challenges of world premieres in the stead of producing the greatest shows of the last five years in New York can have its downfall. When companies get their pick of the litter from New York shows, they have a much higher chance of choosing great material, but a new piece is always a shot in the dark.
Continue reading “Review: Donal O’Kelly’s “The Memory Stick” at The Stage, San Jose”
In the words of the official Pulitzer committee, the Pulitzer Prize for Drama is given “for a distinguished play by an American author, preferably original in its source and dealing with American life”. Measured by this phrase, Ayad Akhtar’s Disgraced, which won the 2013 Pulitzer and just opened in a terrific new production at The Stage in downtown San Jose, is a theatrical home run. The 2012 drama is blistering and brutal and so politically dense and culturally relevant (perhaps now more than ever) as to make your head spin. Continue reading “Review: “Disgraced” at The Stage, San Jose”